A Great and Terrible Beauty

 

Chapter 28

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"Are you sure you know how to use these runes?"

Ann asks as we place the candles in the center of our circle.

"Of course she does! Stop trying to frighten her," Pippa snaps. "You do know, don't you?"

"No. But Mary and Sarah did it. It can't be that difficult. Mother said I simply place my

hands against the runes and… and then…" Then what? The magic enters me. It's precious

little to go on.

Felicity is beside me. She's stopped crying.

"We'll just try it and see. That's all. Just a trial run," I say, as if to convince myself.

We enter the realms through our door of light and make our way to the grotto as quickly

as possible. The runes rise before us, tall and imposing. They're guards protecting the

sky's secrets.

"I didn't see anyone," Felicity pants.

"Then I don't think anyone saw us," Pippa says.

Promise me you won't take the magic out of the realms, Gemma....

I've promised her. And yet I can't abandon my friends to these empty lives.

It's been such a long time since the magic here has been used. There's no telling what

could happen.

That doesn't mean something terrible will happen. Perhaps Mother is worrying about

nothing. We'll be so very careful. Nothing will find its way in.

The huntress appears. "What are you doing?"

Pippa yelps in surprise.

"Nothing," I say, too quickly.

She's silent, watching us. "Will you hunt today?" she asks Felicity at last.

"Not today. Tomorrow," Felicity answers.

"Tomorrow," the huntress repeats. She turns and walks toward the silver arch, glancing

back once with a curious expression. And then she's gone.

"That was a close call," Ann says, letting her breath out.

"Yes. I think we'd best act quickly," I say.

"What do you think will happen to us?" Pippa's voice is filled with apprehension.

"There's only one way to find out," I say, moving closer to the runes. I can feel their

energy calling me. I'll touch them only for a second or two, no more. What can possibly

happen in an instant?

The girls place their hands on me. We're connected, like some newfangled apparatus that

gives off electric light. Slowly, I place my palms against the warm strength of the

crystalline shapes. They hum against my skin. The hum bends into a shudder. It's more

powerful than I could have dreamed. They glow, faintly at first, then more strongly, the

light spreading quickly into a swirling pillar that spins out, around and through me. I can

sense my friends within me—the quick pulse of blood in their veins. The rhythm of our

hearts beating in unison, like the thundering of horses trampling across winter-bleached

fields, hope thumping freedom inside us. A locomotive scream of thoughts flies by.

Different voices, different languages overlap, merging into one flickering murmur. It's too

fast. I can't absorb it. It could break me. I need to tear away but I can't.

And then the world falls away.

The vast night sky wraps us in its blanket. We're standing at the top of a mountain.

Clouds rush overhead at impossible speed, coiling and uncoiling. The strong wind is a

roar as it whips our hair out behind us. And yet there's no fear. Nothing about me feels the

same. Every cell in my body is acutely aware, every sense heightened. We don't need to

speak. We can each sense what the others are feeling.

I'm suddenly aware of Felicity's face; the gray of her eyes looms larger. The black heart

in the center of her gaze moves and swirls till I'm drawn inside, where I'm floating over

an open sea, icebergs poking through the waves, the cry of whales nearby. Like liquid,

I'm poured into that sea, swallowed whole, and then I fall through the bottom of it into a

London twilight. Below me is the Thames, dappled with street light. I'm flying. I'm

flying! We all are, rising so high that the chimneys and rooftops are no more significant

than coins thrown into a gutter. Close your eyes; close your eyes, Gemma. I'm awake in a

desert under a full moon. Dunes rise and fall like breath. My foot sinks in. I'm melting

into the warm brown sand. Under my touch, the fine sandy grit changes into the softness

of skin. His body rolls out underneath me like a plain. Kartik feels like a country I want

to travel—vast, dangerous, and unknown. When we kiss, I'm falling again, back onto that

mountaintop where Felicity, Pippa, and Ann are standing, back from their own journeys,

and yet it feels as if we've never left this place. We smile at each other. Our fingertips

graze; our hands clasp. There is a searing white light. And then nothing.

"Gemma, wake up." Ann gives me a little shake. My room comes into focus by degrees—

the ceiling, the gray light at the window, the worn wooden floor. Vague recollections of

last night come to me—the realms, the runes, the huntress's strange expression, the four

of us stumbling home from the caves afterward—but it's mostly a fog in my head. I've

lost all sense of time and direction.

"What time is it?" I mumble.

"Time for breakfast."

It can't be, I think, rubbing my head.

"Well, it is," she answers.

That's odd. "How did you know what I was thinking?" I ask.

"I don't know" she says, wide-eyed. "I heard it in my head."

"The magic…" I say, sitting straight up.

Felicity and Pippa burst into the room.

"Look at my dress," Pippa says, beaming. There's a large grass stain on the hem.

"Bad luck, Pip," I say.

She's still smiling like an idiot. She closes her eyes and in seconds the stain is gone.

"You made it disappear," Ann says in wonder.

Pippa's smile shines. She twirls her skirt this way and that, letting it catch the light.

"So we've done it," I say. "We've taken the magic out of the realms." And everything is

fine.

I am dressed in record-setting time. We trip down the hall and the stairs like a breeze,

whispering to each other in half-spoken sentences that somehow are finished inside our

heads. We're so alive with our discovery that we can't stop giggling.

A figurine of a little cupid sits inside an alcove under the stairs.

"I want to have a bit of fun," Pippa says, pulling us to a stop. She closes her eyes, waves

her hands over the cherubic plaster boy, and then he's sporting rather large breasts.

"Oh, that's awful, Pip!" Felicity says. We dissolve in laughter.

"Think of the redecorating possibilities!" Pippa says, in hysterics.

Brigid is bustling down the hall toward us.

"Great heavens, fix it quick!" I whisper.

We're falling all over ourselves trying to hide the thing.

"I can't do it under pressure!" Pippa says in a panic.

"Here now, wot's all this fuss about?" Brigid puts her hands on her hips. "Wot you got

there? Move aside and lemme see."

Reluctantly, we obey.

"Wot on earth is this?" Brigid holds up a statuette of the world's ugliest cancan dancer,

formerly a cupid with breasts.

"It's the latest from Paris," Felicity says coolly.

Brigid puts it back in the alcove. "Belongs on the rubbish heap, if you ask me."

She moves on and we're all giggles again.

"It was the best I could manage," Pippa says. "Under the circumstances."

Every head turns when we arrive for breakfast and take our places at the long table.

Cecily can't stop staring at Ann.

"Ann, is that a new dress?" she asks between bites of her bacon. We've come late so

there's only porridge.

"No," Ann answers.

"Did you change your hair, then?"

Ann shakes her head.

"Well, it's an improvement, whatever it is." This makes the rest of the girls titter. Cecily

goes right back to her bacon.

Felicity puts her spoon down hard. "You're very rude, Cecily. Did you know that? I think

it would be best if you just didn't say anything else today."

Cecily opens her mouth to reprimand Felicity, but no words come. She can barely speak

above a whisper. Her hands fly to her throat.

"Cecily, what's the matter?" Elizabeth hands her some water.

"Cat's got her tongue," Felicity says, smirking.

"Fee, you have to give Cecily her voice back at some point," Pippa chides as we make

our way to French.

Felicity nods. "I know. But you must admit—it is an improvement."

Mademoiselle LeFarge has a particularly sadistic smile on her face when we arrive. It

doesn't bode well.

"Bonjour, mes filles. Today we will have a conversation to test your French."

A conversation class. I am the absolute worst at this, and I wonder how long I can make

myself unnoticeable.

Elizabeth raises a hand. "Mademoiselle, our Cecily has lost her voice."

"Has she? That was very sudden, Mademoiselle Temple."

Cecily tries again to speak but it's useless. Ann gives her a small smile and Cecily looks

positively terrified. She buries her nose in her book.

"Very well," Mademoiselle LeFarge says. "Mademoiselle Doyle, you shall go first."

I'm in for it now. Please, please, please let me keep up. My stomach is aflutter. This may

be the day that Mademoiselle LeFarge gives me the boot down to the lower classes. She

bats a question about the Seine into my court, waits for my response. When I open my

mouth, we are all astonished. I'm speaking French like a Parisian, and I find I know a

great deal about the Seine. And France's geography. Its monarchy. The Revolution. I'm

feeling so clever that I want to go on for the whole of the period, but finally

Mademoiselle LeFarge recovers from her shock, breaking her own rules in the process.

"That was remarkable, Mademoiselle Doyle! Truly remarkable," she gasps in English.

"As you can see, ladies, when you are willing to apply yourselves, the results speak for

themselves! Mademoiselle Doyle, today you shall receive thirty good-conduct marks—a

record for my class!"

Someone should probably close Martha's, Cecily's, and Elizabeth's mouths before the

rains come and drown them like turkeys.

"What do we do now?" Pippa whispers as we take our seats for Grunewald's instruction.

"I think it's Ann's turn," I say.

Ann's face falls. "M-me? I d-d-don't know…"

"Come on, then. Don't you want everybody to know what you can do?"

She furrows her brow. "But it won't be me, will it? It will be the magic. Like your

French."

This brings a blush to my cheeks. "I did get a bit carried away. But you can truly sing,

Ann. It will be you at your very best."

Ann is skeptical. She chews nervously on her lips. "I don't think I can."

We're interrupted by the arrival of the short, squat Austrian. Mr. Grunewald in usually in

one of two tempers—foul and fouler. Today, he surpasses himself, sliding right into

foulest.

"Cease the incessant chatter!" he barks, raking a hand through his thinning white hair.

One by one, we're called to the front of the class to practice the same hymn. One by one,

he criticizes us nearly to death. Our vowels are too flat. Our mouths are not open

sufficiently. I crack on a high note and he lets out with a sharp "Ack!" as if he's being

tortured. Finally, it's Ann's turn.

She's timid at first. Mr. Grunewald shouts and grumbles, which doesn't help. I'm

practically willing Ann to let her voice fly. Sing, Ann. Come on! And then, she does. It's

like a bird leaving the nest, soaring high and free. We're all quiet and awed. Even Mr.

Grunewald has stopped counting. He stares with a look of utter joy on his face.

I'm so proud of her. How could my mother not want us to use this magic? How could she

think we weren't ready for it?

When she finishes, Mr. Grunewald applauds. The man whose hands have never joined

together to make a clapping sound is applauding Ann. Every girl joins in. They see her

differently now, as somebody. And isn't that what everyone wants? To be seen?

We bask in the glory of our day until evening comes. That's when we can feel the last of

the magic draining from our bodies, leaving us all a bit worn out. Mrs. Nightwing

appraises Pippa during our free time.

"Miss Cross, you're looking a bit tired this evening."

"I am rather tired, Mrs. Nightwing." Pippa blushes. Mrs. Nightwing has no idea what's

going on while she sleeps off her sherry.

"Best get to bed straightaway for your beauty sleep. You want to look your best when Mr.

Bumble comes to call tomorrow."

"Ugh, I'd forgotten he's coming to call," Pippa laments as we trudge up to bed.

Ann stretches her arms overhead in a catlike movement. "Why couldn't you dispense with

him? Just tell him you're not interested."

"That should go over very well with my mother," Pippa scoffs.

"We could go back into the realms and make you hideously ugly," Felicity says.

"I think not!"

We've reached the landing. The ceiling is smudged where the gaslights have deposited

their grime. Funny how I've never noticed that before.

"All right, then. Say goodbye to Sir Perfection and become a barrister's wife," Felicity

says, sneering.

Pippa's lovely face is all worry, but the frown lines smooth. There's a new determination

to her brow. "I could simply tell him the truth. About my epilepsy."

The walls are sooty too. So much I haven't noticed.

"He's to come for a visit tomorrow at eleven o'clock," Pippa says.

Felicity nods. "Then let's send him packing, shall we?"

With a yawn, I pass the all-too-familiar photographs, those half-erased women. But it's a

night for seeing things for the first time. In its severe black frame, one of the photographs

has begun to buckle and ripple behind the glass. Probably the damp. It's sliding toward

ruin. But there's something else. When I look closer I can see the smudgy outline on the

wall where a fifth portrait once hung.

"That's odd," I say to Ann.

"What?" She yawns.

"Look here on the wall. See the mark. There was another photograph."

"So there was. What of it? Perhaps they got tired of it."

"Or perhaps it's the missing class of 1871—Sarah and Mary," I say.

Ann drifts off to our room, stretching and yawning. "Fine. You look for it, then."

Yes, I think. Perhaps I will at that I don't believe there was no photograph.

I think it was removed.

My sleep is fitful, filled with dreams. I see my mother's face in the clouds, soft and fair.

The clouds blow apart. The sky changes. It swells into a gray beast with holes for eyes.

Everything goes dark. The little girl appears. The white of her pinafore, the exotic dress

underneath it, stand out in the darkness. She turns around slowly and it starts to rain.

Cards. It's raining tarot cards. They catch fire as they fall.

No. I don't want this dream.

It's gone. I'm dreaming of Kartik again. A hungry dream. Our mouths are everywhere at

once. The kissing is feverish and hard. His hands rip at the fabric of my nightgown,

exposing the skin of my neck. His lips rake the curve there, taking small nips that almost

hurt but mostly inflame. We're rolling together, a wheel of hands and tongues, fingers and

lips. A pressure builds inside me till I think I might come apart from it. And when I feel I

can't take another moment of it, I wake with a start. My nightgown is damp against my

body. My breath is shallow. I place my hands rigidly beside me and do not move for a

very long time, until at last I sleep and do not dream.